On this historic occasion...

Tomorrow is the first session of Hungary's new parliament. There's a lot of hope riding on the next prime minister's shoulders. He better not screw up.

On this occasion, I would like to offer up an essay-disguised-as-a-story that I wrote three years ago, called The Parliament-opening Speech You'll Never Hear a Prime Minister Give.

Enjoy!

The Big Lie

As I was just about to leave for work this morning, my wife pointed to the computer screen to show me the headline to a breaking news story: Suspected Suicide Bombers Hit Moscow Metro Stations.

Here we go again. I left for work, and haven't even read the news in the meantime. I know what to expect. Don't you? Oh come now! It's so predictable. All information will be controlled by the authorities, since they will seal off the stations and commit all officials to secrecy. The news media will parrot and paraphrase and rehash and over analyze the paltry tidbits of disinformation the Russian government spoon feeds them.

Public opinion will be manipulated by emotional interviews with eyewitnesses and friends and relatives of the victims.

The "investigation" will conclude that it was done by Chechen "terrorists". Or, if there is another Russian republic in need of suppressing, it will be Islamic terrorists from that republic, and the whole thing will justify the Russian government: 1. weeding out whatever democracy and freedom had managed to sprout in Russian society 2. sending troops to kick some provincial butts, and 3. increasing the military budget and military influence. Same old story.

Coincidence that this happens days after the US and Russia announce a new arms treaty? That gives the White House cover for not shouting too loud about whatever the Russian government does in response. Wouldn't want to spoil the treaty before it's signed, would we?

I used to scoff at the conspiracy theories concerning 911. Especially because some of the things people said were so absurd. One of the favorites among Hungarian anti-Semites was that no Jews showed up to work in the World Trade Center on the morning of September 11th, because they had been warned by Israeli contacts. Sure.

But then came the bombing of the London Metro. When I read that on the very morning of the bombing a consulting firm was conducting terrorist scenario exercises in the Metro, rehearsing incidents alarmingly similar to the ones that actually occurred, my suspicions were raised. And the more I read and learn, the suspicions just won't go away.

Don't believe what the news media tell you! Take it all with a huge grain of salt! Also consider that the majority of conspiracy theories are a bunch of bullshit. That doesn't mean that some of them aren't true.

I don't think 7 World Trade Center fell without a little well-planned help.

What does one do with these suspicions? How does one act in this context? That's a puzzle this pansophist philosopher is still working on.

Don't believe me! Think for yourself!

Visualization - Personal Observations

The best way I could sum up the previous article is this: visualization is the art of creating in the outer world by creating it in the inner world first.

Once you get the basic technique down, you can move on to more involved and complex techniques. You can influence your world through the creation of works of art (paintings, poems, crafts), through simple rituals, and through other means. But the basic technique remains the same. You use all of these tools to create something in the outer world by first creating it in the inner world.

In this posting, I'd like to talk a bit about some of my own experiences with applying the technique; my frustrations, and my successes.

I'll start with the things I haven't had much success with: money issues. I must have had some moderate success, because I know my finances are much better than they used to be. But this has always been the hardest for me. I suspect... well... no, I don't suspect, I'm fairly sure this is a karmic thing. I grew up in Appalachia, and some of the poverty consciousness stuck to me. That, and the attitude got built into my subconscious-- partially fostered by 60s hippy philosophy, partially by Christian indoctrination -- that poverty is virtuous. I'm chipping away at this, because I realize it's a long-term handicap. But, it can take time to transform the things we've been building up in the subconscious for decades.

What I have had incredible success with is using visualization to influence people's attitudes toward- and receptiveness to my plans. If it is vital that I get someone (usually someone in authority, or with particular powers) to approve of something I want to do, or to give me assistance, I visualize the conversation with them several times before I go to them, and I imagine them listening attentively, nodding in agreement. And I also visualize them actually saying that they will give the permission, or will give me the help I need. The results are astounding sometimes; reminiscent of Obi-Wan Kenobi's interaction with the Imperial Stormtrooper at the roadblock (Obi-Wan:"These aren't the droids you're looking for." Stormtrooper: "These aren't the droids we're looking for"). People I thought would be serious hard sells have fallen all over themselves to tell me how much they agree with me, or have whipped out a pen to sign a document before I was even finished telling them what I'd come to talk to them about.

Now, you might be thinking, "If this works so well, is it ethical?" To which I have two answers. The first is that there are some things in life you definitely want to have the power to push through. Let's say you're an artist and you want to talk to a gallery owner about having a show of your paintings. That's something important. That's your life's work. You've sweat blood for the last two years creating this series. You want to have all the influence possible on making your show happen. The other answer is this: nobody is ever going to be influenced into doing something against their own morals or critical judgement. You can tip the scales if the balance is close, but you can't fight against a two-kilo weight on one side.

The other thing I've had amazing success with is small crowds. My job requires that I occasionally give in-house presentations. Days ahead of time, I visualize the audience being attentive and enthusiastically receiving the message of my presentation (not to mention, that I use visualization to create the best presentation I can!). I see no harm in this, since my presentations are for training purposes, and it's for the attendees' own good that they pay attention and find it interesting. But on more than one occasion, I have unexpectedly received enthusiastic applause, and been told afterward that I "owned the room" while I was presenting. I attribute a great deal of this phenomenon to the visualizations I do beforehand.

This observation has led me to wonder how many other people have discovered that they can mold the behavior of crowds with this technique. (My conclusion: more than most people suspect.) I also wonder how many people do it without realizing they're doing it. Just imagine: the enthusiastic politician is lying in bed after writing what she considers to be a brilliant speech. She pictures herself before an awestruck crowd as she delivers her carefully crafted lines. She feels the joy, the ecstasy of having hundreds of people under her sway. She can hear their cheers. She can feel the energy of their voices vibrate the podium under her hands.

All the ingredients of a successful visualization are there. Thought-provoking, isn't it?

If you consider the last example, you might realize that we influence the world with our visualizations all the time. Whether they manifest or not depends on how vividly we visualize them, and on how consistently we visualize what we want rather than visulizing what might go wrong, or what we fear.

One last observation. I've noticed that it's much easier to get results from a situation that's in flux than from a situation that's well-established or inert. Let's say that you really don't like your office, for whatever reasons. It's too noisy. It's too dark. It's next door to someone who shouts on the phone all day. Whatever. If you visulize getting a new office in that situation, getting that new office might take some time, and you might have to help it along with some manipulating and politics on the material plane. But if the boss has already decided to move some of the personnel around to make the seating arrangements more logical, it is my experience that you only have to visualize the exact characteristics of the office you want, and that is the office you will be given, without even having to say anything to anyone. Once things are in motion, it's much easier to make them go where you want them to.

A Short Visualization Lesson

A friend recently asked members of an internet forum my wife frequents whether anyone could give her advice on how to practice visualization. The following is an e-mail I wrote her. It turned out so well, I decided I might as well post it. The text draws from various materials I've read over the years, among them: Shakti Gawain, The Master Key, and, of course, AMORC teachings. I didn't consult anything while I was writing it, so this is (as Joseph Lisiewski would put it) my own "subjective synthesis" of the topic. So, although virtually none of the material is original, this is my own unique way of putting it together and my idiosyncratic way of expressing it.

Dear_______

With the passing of years, I have become wary of giving people advice. Often they misunderstand it. They make you responsible for what happens when they follow it. But most often, they don't make any use of it because it involves doing something.

But in this case, you have actually asked for advice concerning something specific. And the specific thing you ask for is the most powerful tool available to the human mind, and the thing most likely to make a difference in your dire situation: the art of visualization.

I am no expert, and my track record of success is far from perfect, but I use the skill fairly often, and I have convinced myself that it works. At this point, I am perfecting my understanding of this art, and how to use it in my efforts to unfold my being and, simultaneously, in my efforts to be of service to my family, my friends and my community.

The technique of visualization is essentially fairly simple, but there are certain things one has to understand before one uses the technique. I'm sure some of this is familiar to you from Anthroposophical concepts, but it never hurts to review (repetition is the essence of education!).

The mind consists of two "sides": the conscious or objective side, and the subconscious side. In essence they are one, but they are like the two sides of the same coin. The conscious mind chooses, analyzes and discriminates. The subconscious accepts everything that is placed into it, like seeds into fertile soil, and nurtures it, and grows it to maturity. The conscious mind's job is to filter the input into the subconscious mind, so that only those things grow there that are beneficial and in harmony with our life's plan. If we allow fear, hate and doubt into our subconscious, then we will eventually harvest a crop of even greater fears, hates and doubts.

There is one more thing about the subconscious: at its very depths, it is in communion with the universal mind, the source of all things; God. In its task of growing things according to the demands of the conscious mind, its resources are infinite, just as God is infinite.

So, in order to change the world our subconscious creates for us, what we have to do is change the instructions we give our subconscious.

The subconscious speaks a language which consists of symbols. So to speak to it, we have to fashion our message in symbols.

So much for my "nutshell" introduction.

The technique:

1. Decide what you want. This sounds easy, but it's actually the trickiest part. What we want has to be something that not only benefits ourselves, but others as well. It has to be fairly specific, so that we don't send the subconscious a vague, confusing or contradictory message. You need to be able to formulate what you want in one, or at most, a few sentences. It has to be positive. The subconscious doesn't understand negatives. (i.e. You shouldn't say "I don't want to be poor." The only part of that the subconscious will understand is "poor", so that's what you'll get.) Once you have an idea of what you want to have (either a thing or a situation) that will benefit you and at least one other person (the more the better!), you should think about it and test your emotions. If you detect something negative, you need to define that negative emotion and examine it. This is important. If you go into the active work of visualization and only then discover negative emotions associated with your desire, then you will waste your time, because this negative emotion will work against you, since it will enter the subconscious at the same time as your visualization.

Let's say your desire is to get a guitar. The negative emotion that might come up is guilt. "I don't deserve a guitar." First you have to accept this feeling and acknowledge it. Love it, like a little child. Then you have to patiently explain to it why everything is OK. "Of course I deserve a guitar. I plan to use it to make myself and others happy with the joy of creating music. Music is a powerful tool for healing the mind and the body." And so forth. You need to examine this desire, and interact with and neutralize any negative emotions that might arise in contemplating it, until you feel (as you should) that it is the most natural thing in the world that you should have it. If, after this process, you still have lingering negative emotions attached to your desire, you should probably put it aside for a while. It's not really going to manifest for you under these circumstances.

2. Assuming you have worked with your desire and have a positive attitude toward it, it is now time to formulate your "image" of your desire. What you have to do is create a full scene in your mind, complete with elements from every one of the six senses you can work into it. This scene is a vision of what it will be like when the desire has been fulfilled. Let's take the guitar as an example. You picture the guitar in your hands. You see the beautiful gleam of sunlight in the grain of the wood. You feel the smooth surface as you place your hand around its neck and the cool feeling of the metal as you place your fingers on the strings. Smell the fragrant wood scent rising from the sound box! And then you strum the strings and hear the lovely resonance of the chord singing from the entire instrument. Notice that this is not just visual sensations; it incorporates, tactile, aural, and olfactory sensations.

3. Then comes the work of actually doing the visualization. If you are a relative beginner, you need to give yourself the best chance of concentrating by withdrawing to a silent place where you can sit or lie comfortably for several minutes without being disturbed. You need to slow your breathing to a rhythm that relaxes your body. You relax until you have fairly much forgotten about your body, and are mostly a mind floating in the semidarkness. Now you create your "image" of your fulfilled desire. You have to imagine it as already fulfilled. It has already succeeded, and you are overjoyed to have this gift from the Cosmic Mind, from the Universal Storehouse. It is also important that you don't give the subconscious instructions how to fulfill your desire. Don't tell it which store to get the guitar from, or who should bring it to you, or how much it will cost. Stick to the essence of the desire. The guitar. Let the subconscious make the arrangements.

And now comes the SECRET! It's not really a secret, since you'll find it in any number of books, but it's the part everyone forgets, and has the most difficulty including in the visualization: emotional energy! In the visualization of the guitar, the emotional content would be the joy of having the guitar in your hands, and the joy at the knowledge that it is yours to use and to make beautiful music with. You really have to FEEL the joy, and electrify the visualization with that energy. This can be the difference between a successful and a failed visualization.

4. Now comes the really tricky part. Take a deep breath, and as you blow it out, forget what you were just visualizing. Put it out of your mind. Go about your business. Clean the house. Cook. Go grocery shopping. Read a book. Anything. Just don't think about your visualization. If you keep holding it in your objective mind, it won't release into the subconscious, and it won't have the chance to undergo those truly mysterious and miraculous processes of the deepest levels of consciousness.

5. If you feel it's necessary, you may repeat the visualization several more times, but you should wait at least a half day in between visualizations. The ideal time to visualize is right after waking up in the morning and right before going to sleep at night. After a certain number of visualizations, one should decide to let it go for good. When to do that is a matter of feeling and experience. But for a beginner, it would be wise to let go of a visualization after a few days.

6. Once you have visualized, you should follow up with activity in the objective world. Go to the store and find out if there are credit arrangements for buying instruments. Decide to sell something to start saving for the guitar. Whatever. Don't assume the guitar will just fall in your lap. But the interesting thing is that once you start to make the effort, you will often find that you are met halfway, or more than halfway. You save one third of the money, you get another third through some mysterious source (say, a tax refund you weren't expecting) and on the same day you notice the guitar is on sale at a 33% percent discount. Wow! And three weeks ago you thought you'd NEVER get the money together for the guitar. Sometimes it happens like a lightning flash. After visualizing, you get an unexpected phone call from someone who wants you to teach a children's folk music class, and they'll buy you a guitar so you can do it! I once visualized a car I needed because my old car had broken down. The next day I was talking to a friend who was moving to Hawaii and needed to get rid of her car. She hadn't heard I needed a car. She gave me hers, and told me to pay her whenever I had the money.

That's about the shortest I could make this advice without leaving out the essentials. Use it! It works. It can be frustrating, because there are many elements of our own minds we need to have under control before we can get consistent results. The most frequent cause of failure is what is called "cross currents". That happens when you spend ten minutes a day visualizing something, and then five hours worrying and generating negative thoughts that counteract it (i.e. "I'll never have a nice guitar!" "Only rich people get high-quality instruments!" "With all the bills I have to pay, I'll never be able to save money for a guitar!" “I never get the things I need!”) You have to be on your guard that you don't spend time thinking thoughts that counteract your visualization. For that matter, we always need to stand sentry at the gates of our subconscious.

And now I leave it all up to you. In diligent hands, this technique can work seeming miracles.

Love, Theo

The Subversive Discourse of Fairy Tales

I have a friend (more my wife's friend than mine) who has lived her life following Thoreau's "different drummer". She speaks several languages, has lived in several countries, trained as a Waldorf teacher, and did her student teaching abroad. She does not lead an oppulent life, and has sacrificed dearly for going her unique path. She works hard to provide the life she thinks her young son deserves. And despite the obvious virtues of her character, I understand that her parents have little respect for who she is or what she has done in life.

I was reminded of her, and of people with similar burdens, when I recently read the fairy tale "The Beauty and the Horns" from The Laughing Prince: A Book of Jugoslav Fairy Tales. In this tale, a rich man tells his only son that he will bequeathe his entire estate to his son as long as the son promises not to go in search of a fabled woman named "Peerless Beauty," no matter how beautiful anyone tells him she is. He should, instead, settle down with a hard-working girl from his own village, like a sensible boy. Well, some time after his father's death, the youth gets more and more curious about this Peerless Beauty, so he begins to ask around. All the older men he speaks to give him the same advice his father had. But that only makes him more determined. He ends up blowing his fortune and ruining his life in the pursuit of Peerless Beauty (who tricks and deceives him, mercilessly). But he persists and eventually wins her over, and in the process breaks the enchantment she is under, and wins back his fortune. He ends up happier than he ever would have been if he'd just settled for what was "sensible."

The message of this tale (and others) is remarkable when you consider the milieu it comes from. Just image Balkan peasants and burghers telling this tale at the hearth on a cold winter's eve. Now these are the very people who would tell their own children to be "sensible," and to forgo what Joseph Campbell famously called "following your bliss." Why were these people telling a story that was obviously in conflict with their conservative values? They didn't want their children running off chasing dreams when they came of age, did they? So what gives?

My theory: this message was planted in the collective subconscious by The Hierarchy. Who is The Hierarchy? They are those human souls who have advanced beyond the level of "normal" human consciousness -- many of them no longer needing to incarnate in a physical body -- and are working in unison for the evolution of the race. The Hierarchy is constantly influencing the actions of the human race through our subconscious, suggesting ideals to be striven for, and giving us inspirations to bring to fruition. These impulses are often expressed in the works of more enlightened artists and scientists. Rudolf Steiner said that fairy tales were retellings of psychic experiences in a symbolic form. They are a form of folk art appropriate for people of all ages and from all srata of society. The perfect medium for The Hierarchy.

This tale emphasizes the necessity of following our inner strivings to attain something we intuitively know is perfect and beautiful (Peerless Beauty). This is none other than our inner self, our soul, our divine spark (our daemon, Holy Guardian Angel, Inner Master, etc., etc). The mundane world frowns on people who pursue their inner reality rather than riches and worldly power. Don't get me wrong! I'm not talking about running off, joining a monastery, and taking vows of poverty. I'm talking about priorities. It's what is referred to in the Gospel of Mark in the rhetorical question "For what does it profit a man to gain the whole world, and forfeit his soul?" In the end, the young hero wins everything back: he gets the girl (his anima, if you will), and regains his fortune and power. How? By answering the inner call; by not giving in to the cowardly desire to stay comfortable and safe, and to sit on the bags of gold his father left him; by not doing what the crowd thinks is "sensible."

I have, myself, done many things that my family, friends and colleagues thought were... well... crazy. Most times they worked out fabulously. Occasionally I fell on my face (or other parts of my anatomy). I recall when I was contemplating a particularly risky move in my life (coming to Hungary with almost no money in my pocket and only vague employment prospects), a good friend said to me, "If you don't do this now, when you have the chance, will you be able to live with yourself the rest of you life, wondering what would have happened if you'd done it?" That was enough to convince me. Living with that sort of doubt forever after sounded like hell itself. (Thanks Geoff F. !)

And there are times I have been more "sensible." When it was the right time to be sensible, it worked out just fine. Other times, I've hated myself afterwards for being a chicken shit. Life is meant to be lived boldly.

The message of fairy tales is often at odds with the values of the people who retold them. But then, most people are innocent enough, or jaded enough to believe they are "just stories."

I think the friend I mention at the beginning of this essay is a brave woman.

Getting Coaxed Out of Blog Sabbatical

Well, folks, I still don't feel like addressing the most immediate issues in my life, and I still don't feel comfortable blithely talking about other things either.

But there's a voice out there in Blogdom that won't let me sink into complete silence. Bless her.

In a recent posting, Hellibrarian placed me among the ranks of people she wished to thank for various things, referring to me as her "blogger conscience." I decided to talk a little about the history of our writing relationship, but when I sat down to the computer, I quickly checked my feed reader and discovered that she'd (quite synchronistically) already alluded to our early "writing buddy" days in her posting today. And she claims to not believe in "psychic dialoging."

Hell and I met back in the autumn of 1992, when Budapest was still "The Wild East". We were both on the founding staff of The Budapest Sun, and shared one of the most amazing experiences a beginning writer could ever have. We got paid peanuts, and had more fun than most people can possibly even imagine. There was something about the times and about the mix of characters who worked at that paper that made the experience nothing less than magical: every day we wondered what would happen next.

We both moved onto other jobs (her with Where Magazine, me with The Hungarian Press Agency) but we continued to support each others' creative endeavors, which can quickly get buried in the day-to-day spade work that makes up ninety-nine-percent of all journalism work.

Hell and I would meet at the Astoria Hotel (pictured on her blog), which has a cafe with the most amazing Art Nouveau interior, and for the longest time had very affordable coffee and pastries. And it was the kind of place where they didn't mind if you hung around for hours. We would get comfortable, order coffee and pastries, shoot the breeze for a while, and then get out the notebooks. We'd choose a topic and (Natalie Goldberg style) decide how long we'd write (anywhere from ten minutes to half an hour). And then we'd just let our pens race across the pages with no inhibitions. No talking. No pausing. Just writing. After the session was over, we'd read our essays to one another.

Ah! Fond memories.

In that spirit, when Hell has lagged in the maintenance of her blog, I've prodded her some, and reminded her that people with the writing bug just can't be happy unless they're doing a certain amount of writing. And now, when I'm lapsing into silence, Helen is there to remind me of the same.

Bless you.

Sorry Folks...

... but there are some things I just don't want to blog about, at least not while I'm in the middle of them. I'm going through some heavy times -- my life filled with life-and-death issues -- and I don't want to write about them in a superficial overly emotional fashion. When I was younger, I knew that writing about things when they were fresh -- sometimes even with pen in hand while they were happening -- gave things serious edginess. But now I realize that's sensation, and not an honest way to search for a deeper kind of truth. I don't want to turn what I'm going through into sensation. And at the same time, I don't want to blithely post about other things, as if everything was hunky dory. My heart wouldn't be in it.

I'll take a page out of The Third Eve's book. She recently wrote an article about something very trying, very demanding, and very emotionally overwhelming that happened to her a year ago. She didn't write about it then. She waited until it settled, and she could make sense of it; until the experience had ripened. It's more meaningful that way.

So I might wait a while to write about these things. That is, if I ever write about them.

Bringing Mysticism to the Office

The following article will appear (in Hungarian) in A Rózsakeresztes Tükör (The Rosicrucian Mirror), the offical newsletter of the Rákóczy Pronaos, a subordinate body of The Rosicrucian Order AMORC.


Have you gotten very frustrated or angry with some situation or other at work recently? Do you have a colleague who really irritates you? Perhaps someone who has decided they are your enemy, and does dishonest or unethical things to sabotage your projects or your reputation? Do you feel you are stuck in a soul-killing job with no chance of moving on to something better? Do you sometimes feel you aren't smart enough, fast enough, young enough, or skilled enough to do your job properly? Are you afraid of losing your job? Do you have troubles communicating with people at work?

Have you thought of applying mystical principles to any of these problems? No? Why not?

Rosicrucianism is a mystical philosophy, but what has always distinguished this philosophy is its emphasis on the need to apply the mystical principles it teaches to everyday life. When the Rosicrucian student looks closely at the challenges his life presents him with, he can easily discover situations that can be positively influenced by employing methods he has learned from the Teachings. He can use breathing techniques to stay calm in times he knows will be stressful. Visualization can attract objects and/or circumstances he needs for his or someone else's evolution. Meditation can bring understanding to puzzles we must always solve to progress in life.

But somehow, it seems more natural to apply these things to our personal lives, to our family relationships, to our friends, and to our home. But where we work seems to be a different matter.

But it shouldn't be.

Part of this attitude is a result of the nature of work ever since the Industrial Revolution. There was a time when one's work was something one inherited from one's family. If your father was a farmer, then you were a farmer. If your father had a trade (blacksmith, shoemaker, carpenter, etc.) then you learned that trade. And work wasn't separated from life the way it is today. Children played at the edge of the fields their parents where cultivating, and when they were old enough, they worked alongside them. The trademan's shop would be part of the family house, and the mother and children would come and go all day long.

Nowadays, we often have the attitude that a job is something we do just for money. It isn't our land we are cultivating; it isn't our goods we are producing in the shop; it's not in our name we are rendering the service. We feel detached from our work. We feel it has little to do with our "real life". We feel it is unrelated to who we really are.

Nonetheless, we spend upward from 40 hours a week at work. We spend the majority of our energy on work five days a week, and we often spend more time with our colleagues than we do with our families. And the people we spend time with at work are "real" people. They are souls; sparks from the divine fire, just like ourselves. If we pay attention to them, we will realize that every day at work presents us opportunities to serve these various people, even the ones who are hostile to us. No. Especially the ones who are hostile to us!

Regarded in the right way, we realize that wherever we work we will find challenges that offer us the opportunity to grow as spiritual beings. If we approach work this way, it no longer seems a dreary, boring, tedious place where we feel the life draining from us every hour we spend there. The workplace is transformed, as is our relationship with everyone and everything there.

Techniques for transforming our work experience

One quick way to transform work is to start the workday with an invocation. It can be a very simple invocation (or prayer, if you prefer this word). All it has to do is serve to raise your consciousness and make you aware that the time spent at work is as much a part of your mystical quest as any other part of your life. Here's an example:

Work Invocation

God of my heart:
May the still, small voice within guide my actions as I work today.
May it point out every opportunity to learn new lessons from the situations I encounter.
May it show me every chance to serve that comes my way.
May it help me to engage myself in my work with interest and enthusiasm, and may it help me guard against laxity and apathy.
May I be inspired to do my work with dignity and honor.
So mote it be!

Saying your invocation at your desk, and then spending a minute or two in meditation will make a big difference to the way you vibrate within your work environment. Even if you don't have much privacy, you can still say it to yourself silently and close your eyes for a moment afterwards.

Another technique addresses the problem of being overwhelmed by events at work and not being able to stay focused on the most important tasks. The modern workplace is full of distractions: ringing phones, e-mail alerts, colleagues popping in the door at any moment. It can be difficult to stay on track and do the things we planned. Sometimes we can come to the realization at the end of the day that we haven't done any of the things we planned. We let ourselves get distracted.

In this case, it can be useful to use a little time when we are away from work to project our energy into the future. During a few moments on the weekend, or in the evening, when you are calm and clear-minded, go into your sanctum and picture yourself at work calmly and efficiently performing the tasks you have decided are important and need to be completed. Naturally, you should be specific, and imagine yourself doing only those tasks you want to focus on. Of course it is important to inject emotion into the visualization: feel the joy of accomplishing important work. If you do this a few times before you go to work, you will find that it becomes easier to stay focused on the tasks you visualized, and that the tasks are accomplished more easily. This is an important mystical technique: preparing for stressful situations while we are still calm and clear-minded.

Although our workplaces are filled with electronic communications devices, there is still a place for old-fashioned communication: no I don't mean face-to-face communication, I mean psychic communication. There are various reasons why people in professional situations might miscommunicate. They are distracted by their personal feelings for one another. They're distracted by the pressures of the office. One or more of the people in the conversation are blinded by their feelings of superiority or inferiority. The list could go on, but suffice it to say, there are many reasons why verbal communication isn't always as effective as one would like. For this reason, it is often good to send someone a psychic message before you talk to them. Using the methods taught by our order, you can telepathically tell them the essence of the message you wish to give them days or hours before you say it to them personally (or on the phone, or by e-mail). It is likely they won't consciously recall the psychic message, but when you speak to them, the message will already seem familiar to them, and they will be more likely to understand what you wish to say. And they will be more likely to be receptive to you message, especially if you visualized them as being receptive. And repeating a message psychically after you have spoken to someone helps to make the impression of what you said go deeper.

Visualization can also help smooth out conflict in the workplace. If disharmony arises between you and another person in the workplace, it can be very useful to spend time each day visualizing love, in the form of pink light, emanating from your heart, and surrounding, nurturing and protecting that person. Naturally, it can't only be a sterile visualization: in order for it to be effective, you really have to feel love for this person. That's the challenging part of the exercise. But the results can be miraculous.

Meditation can, naturally, be used as a tool for solving problems one encounters at work. Once you have worked on a problem with your conscious objective mind as far as you can go, send the problem, in the form of a simple question, into your subconscious, and wait for your inner self to suggest the solution to you.

As suggested in the invocation, it is important to see the workplace as a school, just like the rest of life. When difficult and puzzling situations arise, it can be rewarding to ask yourself what the lesson is that can be learned from it. The workplace is especially fertile ground for this, because we are forced by circumstances to deal with things we might isolate ourselves from in home life, and among friends and acquaintances. But at work, you can't avoid them. You just have to deal with them.

Work can be very draining and tiring. Remember the exercise that comes in the very first monograph that every member is mailed? It's a technique for reviving yourself with psychic energy when you are tired. Have you ever used it at work? Why not? And that's not the only technique in the monographs for increasing one's available energy. Perhaps it would be better to use one of these techniques the next time you are tempted to grab another cup of coffee.

The same goes for techniques we learn for staying calm under stress. The techniques are there. We can only blame ourselves if we don't use them.

Conclusion

The workplace is an excellent opportunity to use the techniques we acquire through AMORC's teachings. Applying the teachings counteracts the feelings of helplessness the modern workplace can often impose on employees, by letting us demonstrate that we can have a positive influence on events at work. Not only can they make professional life a bit easier and more successful for us, they also make us more effective members of the teams we belong to, and a source of health and harmony to the entire community we work in.

Of Fish, Dreams and Blank Books

If you consult any number of books or websites in the hopes of learning about dreamwork, almost everyone last one of them will tell you there is one essential practice on which all dreamwork depends. If you want to engage in the art and science of dreamwork, you must keep a dream journal. If you don't keep the journal, you won't develop your dream memory. If you don't remember your dreams, there's no material to work with. Pretty obvious.

It can be a very difficult habit to cultivate. It has to be a daily thing. And you have to be consistent. Sitting down to write down your dreams (unless you actually have the time, leisure and privacy to write them down while you're still in bed in the morning) has to be one of the first things you do every morning. If you wake up to an alarm, hit the snooze button and then don't move. Stay lying exactly where you are and ask yourself what you were dreaming. Only if you are lucky do you recall an entire dream right then and there.

Dream recall is like fishing. It all starts with a nibble on the line. There's the lingering feeling of a mood from a dream. Or the faintest memory of just one image or object. Or you only remember that "I was with Stephanie", or that there was something having to do with Sacramento. Be gentle. Be skillful. If you pull too hard, the fish won't get hooked. Just stay with whatever little bit you have. Now let your attention wander from it for a second or two (kind of like letting out a little line) and then focus your mind on the object again. You might find that something else "breaks the surface" along with what you already had: the background to the vague image; what it was that Stephanie said to you; what specific part of Sacramento you saw. Let your concentration go for another second or two, and then "pull in some line", i.e. focus on the things you remember. You will likely find that something else comes along with them. If all goes well, you feel the fish bite! A whole dream sequence comes back to you in one piece. But be careful! You still haven't reeled that beauty in. Nothing worse than "the one that got away." When the next alarm goes off, don't hit snooze again. Turn the alarm off and get out of bed, whether you remember a dream or not.

There is a short window of opportunity after one wakes up -- I'd guess no more than fifteen or twenty minutes -- during which the portal to the sleeping consciousness hasn't quite shut tight, kind of like that little gap on a baby's skull that hasn't quite grown together (which is why, a friend tells me, babies can still talk with angels). One needs to cultivate the habit of not hurtling headlong into the day. Stay quiet, both physically and mentally, while making that first visit to the toilet for a pee. Don't turn on lots of bright lights. Don't turn on the radio or other loud electronic devices. Sit down in a quiet place with a notebook and pen and write down whatever it was you remembered. Don't be surprised if you now can't recall what you remembered while waiting for the second alarm. Close your eyes and ask yourself, "what did I dream last night?" Just relax and allow it to come to you. Most times something will. But there are those times that it won't. One of the emotionally challenging aspects of dreamwork is the moment when you realize that, despite all of your efforts, you are empty handed. You don't remember anything. Nada. Zero. Goose egg!

It can be discouraging. It can be very discouraging when you are just starting out in dreamwork, and only remembering one or two dreams a week, if you're lucky. But the truth is that the dreaded "dream drought" is something that even veterans have to endure. Even people who have been faithfully recording dreams for several decades, and who have stretches in which they remember several dreams a morning for three or more mornings in a row, still hit patches as dry as the Mohave desert; no dream recall for days, or even weeks.

What do you do then? Many writers on the subject suggest writing anything at all into the dream journal: what one was thinking after one woke up, or even making dreams up. The theory is that the subconscious mind responds to this signal from conscious behavior that says the conscious mind takes dreams seriously, and provides one with dreams on subsequent mornings. This has never worked for me. I've always felt too silly writing things that are not dreams into my dream journal.

Recently I've come up with a new tactic. I've designated a new little blank book to be for dreamwork exercises. Never mind that this means I am now carrying no less than four hard-back blank books in my briefcase everyday. My wife can tell you that I have a hard time passing a blank book display in a shop without buying one. I have a reserve that should last me for several years. But I digress.

I take both my journal and my new dreamwork book to the table where I write down my dreams. If, after all efforts and tricks, I can't recall any dreams, I open up my dream journal and read one of the dreams that's already in there. Then I open my dreamwork book, date it, indicate which dream I'm going to work with, and then do a little dreamwork. For an idea of what that work might entail, I recommend this very convenient collection of exercises generously published for free by Professor John Suler (warning: it's a PDF file, so the link will open Acrobat or whatever PDF reader you use).

This has a dual purpose. Firstly, I am using the first half-hour of the day to work with dreams (either recording them or doing exercises), and secondly, I'm actually designating a time in which to do dreamwork. I think one of the pitfalls of dreamwork is that we sometimes keep collecting more and more dreams, but we keep putting off working with them, because our lives are so busy. I'm guilty of this. This way, I don't get so frustrated if I don't remember any dreams on a given morning, and I automatically get a certain amount of dreamwork done every week, without having to set aside more time in my otherwise over scheduled day.

... while you're making other plans

Yup! That's when life is happening.

So there we were, on vacation with another family in an area of Hungary which is about as rural as you can get, and pretty much as far away from home as you can get. It had been a grand week away from the rat race, with a family our family dearly enjoys spending time with. A week filled with common meals, cooked together and served at a long table under a shelter with a terra cotta roof. A week of afternoon coffee in comfortable chairs under tall shade trees, reading, talking and watching the children erect huge sand castles in the oversized sand box. A week of going out after the children were in bed and lying on a bench to watch the stars (which you just can't do in Budapest).

It was Saturday night. We were partially packed, and the plan was to leave late the next morning. I'd taken Monday off, so I'd even have a day to get my head ready for the working grind that was to resume on Tuesday.

That was the plan, anyway.

Szilvi got me out of bed before midnight to inform me that she was bleeding. Very lightly, but there was some blood, nonetheless. And she'd been getting contractions that were too frequent, and too intense. The baby isn't due until the middle of September.

Thank God for mobile (cellular to you Yanks) phones! Szilvi called the doctor who has attended all the home births of all our children. She said we needed to get to a hospital so they could give Szilvi a steroid shot that ripens the fetus's lungs in case there's a premature birth.

Great! The last place I want anyone I love is in a Hungarian hospital. It's not just that they are severely underfunded and underequipped. That could be dealt with. But the truth is that Hungary's health-care system is one of the last bastions of totalitarian mentality. Please leave your civil liberties and your individuality at the door. You have just become an object. You have no input into the decisions being made regarding you, and you have no right to information beyond what they want you to know. Democracy never made it into these walls.

But, OK, we had to do it.

The ordeal at the hospital was tolerable. An ultrasound revealed a tiny tear in the placenta, but no continued bleeding. Szilvi got the steroid shot, and an anti-spasmodic shot to stop all contractions. Szilvi was placed on 24-hour observation, and was put on a drip IV against the contractions. I had to go back to the vacation house alone. I had to be there when our two-year-old son woke up.

The next day I quickly took a few bags full of supplies to Szilvi (remember I said the hospitals are underfunded?) and was informed that if by midnight (i.e. 24 hours after being checked in) there was no evidence of bleeding or contractions Szilvi might be released. But then again, she might not be. Blood tests showed she's anemic (which we knew; she's always been anemic), and that might be reason to keep her. Whatever. The doctors were being cagey.

Should we stay another night at the vacation house? Should we go ahead and go home and come back for Szilvi when she's released? I kept wandering around the house and half-heartedly packing (packing for a family of six is serious business!) and not figuring out what to do. Finally it hit me that I could take the children back to Budapest and leave them in Szentendre with their grandmother. A call to grandma (Did I say Thank God for cell phones?) confirmed that I could do that. Packing began in earnest. I made it clear to my older sons that my being without their mother made it imperative that they take responsibility and help me. To my delight, they responded; especially Alex, the older one. He really took responsibility for his youngest brother.

We left after dark, and formed a two-car caravan with the other family. I made sure my sons had the phone numbers of the parents in the other car, and vice-versa. Alex was very proud to be my copilot; handing out food and drinks, looking for road signs, fielding phone calls from the other car.

We arrived in Budapest real late. At grandma's I bedded down with my two-year old. He was confused. That morning his mother had disappeared without a trace or without an explanation. Then we left the vacation house without her, and then we went to grandma's. Poor kid's head was spinning. The next morning, he rolled over, put his hand in the hair at the back of my head (which he often does with his mother) and softly uttered the one word: "Mommy." My heart melted. This kid needed his mother.

Szilvi was released the next day, and the father of the family we vacationed with drove me down to pick her up (he has a bigger, more comfortable car).

On the way home (have I mentioned Thank God for cell phones?) I called my office and arranged to take the rest of this week off. Szilvi's doctor told her to spend a few days in bed, after which she would be severely limited in what kind of physical activity she could engage in. The usual cooking and housework were out of the question. So I'm doing the housework, and Szilvi's mother will be coming over every day once I start working again next week.

Life truly is what's happening while you're making other plans.

You Call THAT Summer Reading?

Although four days ago I escaped the urban circus of Budapest for the idyllic peace of a farm house in southeastern Hungary, far, far from TV cables and internet connections and subway trains and all the other features of my harried life (which I love, but gets a bit much after a while), through the miracles of online technology this posting is being published on my appointed publishing day, thereby keeping my promise to grace the world with another dose of my prose every Wednesday. (Note to self: I should suggest to Google that they develop an application called iStiff, which sends an indistinguishable virtual image of a nine-to-five employee to the office through the internet every weekday morning, while the real employee stays home and putters around the house, blogs, meets friends at cafes, etc. Sounds like the Next Big Thing, huh?)

As this digital missive is being released into cyberspace, its flesh-and-blood author will have already spent days breathing fresh air, taking walks in the woods, watching his kids play with farm animals, cooking meals for ten (we'll be there with another family with children), watching the stars in a clear sky free of city lights, and... READING!

Now, being a corporate editor, reading on vacation is a bit like a busman's holiday, but as any professional reader (or college student) will tell you, there's a world of difference between reading what you have to, and reading what you want to.

Admittedly, being on vacation with that many children doesn't really allow for that much reading time, which is why I have to make every minute of it count. So... no mental-chewing-gum potboilers for me. Why waste that quality time away from the frenetic life, while my blood pressure is down and my brain waves smoothed out to gentle curves? No, I'm going to bring along two books that are definitely not what most folks would consider light beach reading.

The first is a novel. I don't read many novels anymore. First of all, I don't have time for them. I recall when I was younger, being very disdainful of people who say they don't have time to read. But, now I'm in that position. A full-time job, four kids and a commitment to spiritual exercises doesn't leave much time for other things. And the truth is, I do read. But shorter stuff I can squeeze in while commuting or eating lunch: articles on subjects I'm interested in, short stories (especially from my favorite speculative fiction site Strange Horizons). I read chapters from e-books on subjects I'm researching. But novels, no. You have to have long stretches of time to read novels. Reading a three-hundred page novel at a rate of four pages a day is very frustrating.

So, there's this six-hundred-page book I started,...uh,... a year ago on a bus ride to a company outing. I got one or two chapters read on the bus. Then I struggled for a few weeks at three or four pages a day and gave up. Around Christmas I took the time to plow through half of the book, and gave up when vacation was over. At this point I still have 170 pages of Gustav Meyrink's The Angel of the Western Window left.

Many of you will know the name Meyrink as the author of The Golem, but far fewer people know that Meyrink was actually an initiate of the western esoteric tradition, and that he wrote a number of esoterically significant novels. The plot of Angel takes place in two different time periods. One is the lifetime of Dr John Dee (1527-1608), and the other is the lifetime of the first-person narrator, a bachelor gentleman in Vienna in the early twentieth century. We slip into John Dee's time whenever the narrator reads Dee's diaries. I won't spoil the story for you (because you really should read it), but suffice it to say that the interaction between these two times and personalities becomes very bizarre and intricate.

Dr Dee was the Renaissance man's Renaissance man. There's hardly an art or science this man didn't dabble in, if not excel at or pioneer, including magic. And this novel is very much about the magical side of Dee. And the sweep of the novel is incredible: England and Wales, Emperor Rudolf's Prague (including Rudolf himself), Vienna, and more.

I've really worked myself up! I can't wait to get back to it.

The other book I'm taking along is a very thin, but very dense volume by Dr John Dee himself: The Hieroglyphic Monad. I've been wanting to delve into this book for some time now, but just haven't felt the time was right. This is the type of book Georg Kuhlewind would designate a "contemplative book". That means that, unlike a light novel, or an instruction book, or a magazine article, it is meant to be absorbed a few sentences at a time. The prime example of such a book, according to Kuhlewind, is the Gospel of John. One should, he says, read a sentence or two, and then deeply meditate on them to see what they evoke from deeper levels of consciousness. I'm certain this is how the Monad is meant to be read. It is divided up into 24 short theorems, each short enough to read in a few minutes. So, in the afternoons, after lunch has been served and the children are playing in the yard, or in the barn, I plan to drag a comfortable lawn chair out under a tree in the yard, sample a theorem, and then slowly sip my tea and contemplate.

Slowly. Patiently.

Stream of Consciousness on the Yugoslav Wars

At the end of my last posting, I wrote a short laundry list of dramatic ideological shifts: times that looked very different when those who lived through them looked back on them. The impetus for this exploration was the way the ideological purge of post-war Japan is portrayed in Ishiguro's An Artist of the Floating World.

Before I move on to the topics I planned to explore, I'd like to reflect on the Surprise that came in yesterday's news: that they'd finally arrested Radovan Karadzic. Talk about your anticlimaxes! How does this relate to my theme? Well, in an odd sort of way. Serbia is a country that hasn't really undergone the post-defeat purge. And so you have a small part of the population that feels repentant about what happened there in the 1990's, and a large part of the population that still feels defiant and justified for its ultranationalist atrocities.

This posting is going to be a bit "stream of consciousness" because I find that the recent news is dredging up lots of memories and sentiments, and I'm not sure what conclusions to draw from them yet, but I'd like to relate my second-hand relationship to the wars Serbia waged. You may recall that last week I wrote "As in another well-known Ishiguro novel - The Remains of the Day - the story of an intense era with reverberations well into our own time is not told on the grand scale of historic figures and events, but on the level of less prominent people and their personal lives. One gets the sense that the grand historical and political life of the world is made up of the sum of millions of personal lives." Indeed, these wars had their effects on my little life. And now that the war-criminal architects of those conflicts are finally being brought to justice, I find myself reflecting on how my life felt the echoes from their deeds, distantly, but distinctly.

I was planning, in the summer of 1991, to move to Europe for a while. I religiously read Die Zeit, every week in an effort to brush up my German, and to tune into the European news and media. German media was very keen on reporting the developments in the incipient Croatian War of Independence. Germany had, after all, made the controversial move of being the first country to recognize the newly declared Republic of Croatia. I recall sitting in a greasy-spoon diner in Knights Landing, California reading an article by a Croatian woman who described how unprepared she was when the war began. She called her mother and asked her what kind of supplies to buy, and drawing on her experience from the second world war her mother rattled off the list "oil, flour, salt, candles, potatoes, bacon, sausages, pasta, rice, tea, coffee, soap." I will say more about this article in a minute.

Part of my complicated motives for coming to Hungary sixteen years ago was to try my hand at making a living as a writer. I even imagined that once I'd established a base in Budapest, I might slip down to Croatia and do some reporting. It all seemed so interesting and "real" when I read about it in Die Zeit. It was the sort of stuff that would inspire a budding Hemmingway. But once I got comfortable here, I (sanely!) decided I wasn't meant to meddle in that world, especially when I heard the tales of the people who did venture down there to report about it.

I recall the young freelancer (who incidentally shares my not-all-that-common surname) who stayed in my apartment twice between jaunts down to Croatia. One evening he sat in my living room telling me how two nights before he'd spent in the cellar with a Croatian family while they endured the nightly shelling by the Serbian Army. No, I thought, not my cup of tea.

When I was working at the Budapest Sun, there was a freelancer named Julius Strauss who regularly did stints in the Balkans to report for the Telegraph. One evening at the watering hole around the corner from the Sun offices, Julius told us about driving up a Bosnian hillside toward the war front in a rented Jeep full of reporters, and being informed by the Bosnian Serb Army that their presence wasn't appreciated by raining shells around them. I was quite certain that was not an experience I needed in my life.

I was the book reviewer at the Budapest Sun, and one day a local English-language bookstore sent me a book called Balkan Express by a Croatian journalist named Slavenka Drakulic. Among the essays in that book I found the one I'd read in the rural California diner two years before in Die Zeit. I liked the book so much that I pestered some publishers to send me more of her books. I gave a glowing review to a darkly passionate novel of hers entitled Marble Skin. Not long after that I met her at a book festival in Budapest. I brought along copies of her books to sign. When I told her who I was, she gave me a big kiss. Her publisher had sent her a copy of my review, and she said it was one of the most flattering things she'd ever read about her writing (which is pretty amazing, considering some of the gushing reviews of her work I've read).

The apartment I rented in those days looked out over the Danube river toward Margaret Island (a locale I couldn't even dream of affording nowadays). Over time it occurred to me that the flags on the ships that passed by were always from countries north of Hungary. Due to the war, the river was unnavigable because of sunken boats and bombed bridges, for years. No boats from Serbia, Romania, Bulgaria. Perhaps a little thing to me. But once I noticed it, I thought about it every day when I watched the boats pass by my balcony window.

There was a photographer who briefly worked for the Budapest Sun in the early nineties who had fled from Vojvodina, the ethnic Hungarian region of northern Serbia. One day we were talking in a cafe. He reached over to get something out of his camera bag. I briefly caught sight of a nine millimeter automatic among his cameras. That's the only time in my sixteen years in Hungary I've seen a firearm anywhere besides on a policeman's belt. Though a dear man in most ways, he was paranoid and uptight. I could feel the war craziness in him.

My wife had a Serbian office mate at the advertising firm she worked at many years ago. She invited us to come over for a few drinks with her and her husband. Things were going quite smoothly until the subject of Kosovo came up. They had been living in Belgrade during that war. Addressing me as the only American in the room, his eyes suddenly got wild, and he shouted, "Why on earth did you have to bomb us?" I tried to politely say a few things about atrocities, but I could tell he hadn't been convinced yet that that wasn't all just Nato propaganda. "But why did you have to bomb us?"

It's hard to describe what it was like to live in a country at peace and in relative prosperity, knowing that barbarous butchery and cruel terror were transpiring less than a day's drive away. I think Hungarians tried to forget what was happening in the country next door. But there were always reminders.

There was an odd incident one Saturday morning in the early nineties. I was awoken in the first hour of daylight by the sound of an explosion. Turns out it had been many miles away at the St Matthias Church on Castle Hill. People got a bit nervous when news reports said the bomb site had been marked with Serbian nationalist symbols. But people realized soon that a) Serbia had enough on its hands without involving Hungary, and b) Hungary was quickly falling within the sphere of influence of the EU and Nato. Serbia wouldn't dare.

And so, you see, despite the fact that I didn't experience that war first hand, and that I have yet to go to the former Yugoslavia, my life was affected in many ways.

As I said before, the grand historical and political life of the world is made up of the sum of millions of personal lives

Reflections on Ishiguro's "Floating World"

It is a perennial puzzle of mankind: how do we judge the acts of individuals and societies once the times have changed? Certain ways of thinking and patterns of accepted behavior predominate for years, for decades, even several generations, but inevitably comes the sea change. Live long enough and you see it happen. Kennedy is shot and the world goes into mourning. Iranian militants take American diplomats hostage, and the world goes paranoid. The Berlin Wall falls, and the Cold War is over. In retrospect you look back and realize that things were no longer the same afterwards. And you also realize that what you think, what you believe, and what you feel is no longer the same.

I just recently read Kazuo Ishiguro's novel An Artist of the Floating World, which deals with just such a situation. The first person narrator, a painter who was an influential pro-imperialist propagandist, tells the story of his life in the first few years after Japan's surrender to the allied armies. Here is a society that is coming to terms with what it thought, felt and believed only a few years prior, and how it must accommodate a new reality as an occupied land. It is a society going through an inevitable post-defeat process: the purge.

Purging is the act of ridding a system of undesirable elements or properties. The victor does not want to be confronted with the need to fight this enemy again. But any reflection on history will yield the conclusion that purging is a tricky thing to carry out. And it might even be argued that it can never be carried out justly, or that it doesn't actually work.

The Romans didn't fool around when they purged. When they were forced to defeat the pesky Carthagians a second time - actually having to fight them on their home soil, and nearly being defeated at one point - they killed the men, made the women and children slaves, took their capital city apart (not one stone standing on another) and sowed their fields with salt. Let that be a lesson to everyone. Don't mess with the Romans! International law frowns on such behavior nowadays. They call that genocide now. People get dragged into international court for that sort of thing.

The Counter-Reformation (and the ever-popular Inquisition) was a purge. There's another example of methods that don't quite meet public approval anymore. And, well, it didn't really work, did it? Protestantism just kept spreading anyway.

The treaties of Versailles and Trianon are another example of a purging. The idea was to make the enemy too resource poor to be a threat anymore. Well, we know how that worked out, right?

Ethnic Cleansing (a term brought to prominence by the Balkan Wars) is another type of purge. Nato finally stepped in an put a stop to that.

In Ishiguro's book, the narrator's friends and former students must deal with the Japanese world's equivalent of denazification. Through his eyes, one can see how ambiguous it all seems. One does what one feels is one's duty, and devotes one's energy and talent to a cause, then one day the tables turn, and what you and your society used to regard as a virtuous activity is now considered a crime. Although the narrator is retired and financially set, his former students and colleagues are finding it either difficult or impossible to get work in a world where everyone's political background is being screened before they can be employed in positions with any authority.

As in another well-known Ishiguro novel - The Remains of the Day - the story of an intense era with reverberations well into our own time is not told on the grand scale of historic figures and events, but on the level of less prominent people and their personal lives. One gets the sense that the grand historical and political life of the world is made up of the sum of millions of personal lives. In the same sense, each of us has to deal with the big questions and the big political realities of our day as they manifest in our own lives and in our individual choices and decisions. But what we don't always consider is how the way we choose to live our lives is our own accommodation to the predominant ideas and ideologies of our times. And we certainly don't consider that we will regard our own actions differently once the tide turns.

In the next few postings I will explore these themes further, using Ishiguro's book and particular dramatic societal shifts to find some philosophical truth underlying the phenomenon of being a human being in a constantly shifting ideological environment, with the concomitant changes in values that brings.

Some of the big shifts I want to look at:

• The sixties and aftermath
• The purges of the Bush II years
• Post-Nazi Europe
• Post-Communist Germany vs Post-Communist Hungary
• What will happen once Bush II is gone?

Am I getting ambitious enough?

Who's to Blame?

The following article, translated into Hungarian, previously appeared in A Rozsakeresztes Tükör (The Rosicrucian Mirror), the official newsletter of the Rákóczi Pronaos, an affiliated body of the Rosicrucian Order AMORC.

I'm not telling you anything you don't already know if I say that we are in a difficult situation: Budapest, Hungary, Europe, Western civilization, the world. We have some serious problems. We face some very frightening dangers.

How did we get here? Why is this happening? Who is to blame? Let's examine those questions carefully.

It would be easy to blame the politicians. Depending on your political loyalties, it would be easy to say that the other political parties acted against your interests, and stole the people's money and resources while they were in office. Or even to say that all politicians are corrupt and untrustworthy. That would be one way of looking at the world.

We could blame powerful corporations. It's easy to point a finger at them and say they are destroying our culture with their mass produced products, and their aggressive, tasteless, and ubiquitous advertising. We could accuse them of abusing working people with their low wages, and of polluting our environment with all their packaging and freight transport. That's another way of looking at it.

How about the greedy small business people who don't pay their taxes? Let's blame them! Or let's blame the schools because they aren't properly preparing children to be productive and responsible adults.

The list of people and institutions we could blame for the problems of the world is endless: pop culture, the police, drug dealers, the EU, organized crime, the Americans, the Islamists, etc.

But there's an aspect of the problems we are experiencing in the world today that cannot be explained by looking for evil people or institutions to blame it on. And to explain to you what I mean, I need to tell you a little story.

Like many people, I sometimes have money problems, which weigh especially heavily on me, since I am responsible for a large family. One day I was particularly preoccupied with these problems, and specifically that I needed to come up with a certain amount of cash within a few days, and I didn't know how I was going to do it.

I was walking along a quiet tree-lined street near my home, on my way to work, when I noticed a chubby, shabbily dressed old man with an old-fashioned metal cane coming towards me. He was still several meters away when he stopped and looked at something on the sidewalk. He leaned over, sticking one leg out behind him and using the cane to support him. I was right in front of him once he had stood up straight and had had a second or two to see what he'd found. He made eye contact with me, and held up the object for me to see. It was a simple gold-colored ring. He tried to put it on one of his fingers, but they were way too thick. Unexpectedly, he held the ring out to me. From it's sparkle in the morning sunlight, and its heft in my hand, I immediately knew this was gold. I peaked inside and found the marking: 18K. It was a very thick, woman's wedding band.

In heavily Slavic-accented Hungarian, he told me to try it on. "Kicsi uj!" (Meaning: little finger!) It slipped onto my finger easily. He made a gesture to give it back to him (it was his ring, he found it, after all), and for a moment I feared he would realize how valuable this object was. He tried to find a finger of his that it would fit on, but with no success. He smiled and handed it back to me. I was relieved, and excited. I was about to walk away when he indicated that he wanted money for cigarettes. Fair enough. I got out my wallet and handed him two 100 forint coins. He frowned and said "Keves." (Meaning: Not much. And he seriously mispronounced it.) "Nincs cigoretta!" (A very illiterate, ungrammatical way of saying he can't get cigarettes for that.) The only other thing I had in my wallet was 1,000 forint bills. I thought about the fact that gold had recently hit $1,000 an ounce; an all-time high. The ring was worth at least 50,000 forints, probably much more, considering how heavy it was. So I thought, fair enough. And handed him 1,000 forints.

All morning long I kept thinking about the fact that my momentary crisis had been solved. All I would have to do is sell this ring, and I'd have the cash I needed. At lunch time, I went to the silver smith's shop across the street from my office and showed the ring to one of the men who work there. He looked at the ring, and asked, "Is this your ring?" I told him that I'd found it on the street. He raised an eyebrow at that answer. He got a little brown bottle off the shelf, unscrewed the top, pulled out a little glass rod and placed a drop of liquid on the ring. It immediately started to fizz and make white foam. The man looked at me and declared, "It's brass." I was very disappointed, and slightly embarrassed. Just then another man came from a back room.

"What's going on here?" he asked.

"This fellow thought he found a gold ring on the street. Turns out it's brass."

"Found it on the street? You didn't walk up to someone just as they were bending over to pick something up off the sidewalk?"

Both of them smiled at me, knowingly. Now I was really embarrassed. I don't really recall how the conversation in the shop ended. I just wanted to get out of there.

Later sitting alone in my office, I pulled the ring out of my pocket. As I was examining a dark indentation, that should have made me suspicious, I suddenly noticed that I could smell the ring. I held the ring up to my nose and recognized the unmistakable smell of brass. And now I realized how much I had been blinded by my greed. Neither did I notice that it had a tiny dark indentation in one spot, nor did I think to use my sense of smell to test it. I wanted it to be a piece of gold, and I let that push me completely out of balance.

And now I understood how the trick worked. The trick depends on the victim being greedy, and desiring to take advantage of someone they perceive as less intelligent than themselves. In the moment the victim believes he is about to walk away with something valuable, the con artist asks for something. The victim panics and makes a bad decision, based on the belief that whatever he gives the con man, he is getting the far better part of the bargain. The trick only works on people who have been blinded by their greed.

Now, it would be easy to get angry about a con man tricking you that way, but I was grateful to him for teaching me a valuable lesson about myself. Even if I try hard to be a good father and husband; even though I work at being as kind and loving as possible in my interactions with other people; even though I work to use the teachings of The Order to elevate my consciousness so I can serve mankind and The Order; when I felt desperate and afraid, I was willing to take advantage of another human being. I was tested, and I failed.

In the week that followed this incident, I went into my sanctum several times and visualized the situation. I would see the man bending over and picking up the ring. I would see him trying it on. I would see the situation just as it happened, up to the point where he offered me the ring. At that point in my visualization, I would look at the man and see him as my brother, as another soul, as another spark from the divine fire. I would look into his eyes and say, "No. You keep the ring. You found it. It is yours. You need it more than I do." And then I would imagine myself walking away happy, and full of love for the world.

Why have I told you a story that shows me in such an unflattering light? What does this story have to do with the topic of this essay? Who is to blame? This incident, and others in my life, serve to remind me that I am to blame for the way the world is. I am. You are. We all are. I'm sure every one of you could tell us an embarrassing story about how your actual behavior fell short of your Rosicrucian ideals. Whenever we fail to live up to the ideal of living our life as an expression of the light, life and love that flows from the divine center within us, whenever we give in to fear, greed, anger, pride, laziness and other distortions of human nature, then we contribute to the problems of the world. As the American journalist Sydney J. Harris said: "If you're not part of the solution, then you're part of the problem."

And that sentence shows you the choice we have to make. Many people falsely believe that you are not part of the problem if you don't actively participate in the problem, and just mind your own business. But being passive and neutral isn't an option. You are either part of the problem, or part of the solution.

Are you upset when you see the condition the neighborhood around your home is in: trash on the streets and sidewalk, paint peeling from the disrepaired buildings? Not only should you not throw more trash in the street (which nobody reading this article does, I hope), but perhaps you should occasionally pick a few things up and throw them in the nearest trash can. Perhaps you should spend a few minutes a day visualizing a beautiful neighborhood the way you would like to see it.

Do you complain about the way Budapest is run, and the way this society behaves? Maybe it would be more productive to think of what kind of city, country, society you would like to see develop in your lifetime and in future generations. Don't complain and gossip about how bad things are, and what stupid things leaders and powerful people do. Talk to people about your vision of the future. Get involved in projects that improve the world.

But above all, do you complain about the how people are unkind and unfair? Perhaps it's more important to be sure you yourself are always kind and fair in your dealings with other people, rather than judging the behavior of other people.

Who is to blame for the problems of the world? We all are. But the good news is that we all hold the keys in our hands to solving those problems.

Announcement: Scribbler Goes Weekly!

That's right folks! The Scribbler had a serious talk with himself and decided a change was needed.

When I started this blog a little over a year ago, I declared that I wasn't really interested in your public diary sort of blog. Not to say that there isn't a call for that kind of blog. Lord knows I even read a few like that. It's a good way to keep up with family and friends who publish them. And just because a blog concentrates on such subject matter doesn't mean it can't be intellectually deep, or aesthetically dazzling.

But that's just not what I was aiming for. I wanted to concentrated on good writing; the sort of thing I used to write when I wrote columns for small newspapers. And, I said this was going to be a philosophical blog, which is still my aim.

To a certain extent, I have succeeded. I've been pleased with some of the essays I've published in this blog, and I've received good feedback. But something was missing. I couldn't put a finger on why it was so difficult for me to motivate myself to publish regularly, unlike my wife, who puts out new postings almost daily (sometimes even more than one a day!), and doesn't seem to ever run out of steam. She's my alphablogger. When she mentions my blog in her blog, my stats go through the roof for a day or two.

I tend to write long. (I can hear some people out there saying, "Tell us something we didn't know!") Years of habit make me think of ideas that take about 800 words to express; columns in other words. And it's just so hard to keep that up all the time when you're a nine-to-six working stiff.

And then it occurred to me: deadlines! I'm a deadline creature! Tell me an article is due on Tuesday at five, and you'll get it in the e-mail on Tuesday at 4:50.

I followed a blog once that published weekly. It was good. I always looked forward to publishing day (I think it was Monday), and his pieces were always worth reading. It worked.

So that's how it's going to work around here now. Starting today, A Touch of Pansophia will publish a posting -- think: column -- every week, and Wednesday will be publishing day. That doesn't mean I won't ever post in between, but Wednesday will be a deadline I commit myself to keep every week. I can already feel my creative juices responding to the deadline pressure.

Later today I'm going to cheat by publishing something I already have in the can. It's Wednesday: time to publish!

Dreams as Spiritual Practice

I Just wrote this essay as a contribution to a project being conducted by an on-line dream group I belong to. I thought it was worthy of space on this blog.

The majority of mankind's current problems can be attributed to a drastic restriction of the race's consciousness to a narrow band of phenomena that can be perceived by our physical receptor senses. This trend in human priorities is generally known as materialism. Various esoteric schools have differing explanations for how and why this veiling of the face of Isis came about (some saying that it was a necessary stage of development in order to make us more fully manifested on the physical plane), but they generally agree that cultural evidence shows there was a time mankind was, as a whole, more sensitive to vibrations from other planes of being, and communicated with these planes of being.

Materialism as a "philosophy" (if one may grace such a narrow-minded view with such a lofty designation) is completely bankrupt: it is impossible to find one's way through life with no guide other than one's perceptions of the material world, and the conclusions of the physical brain. Actually, going about life in this manner inevitably leads to error. There is vastly more to the Universe than the material, and there is vastly more to Mind than the brain.

For the purposes of this essay, a good definition of spirituality would be: the desire to escape the prison of materiality and to expand consciousness to an awareness of realities beyond the material.

In this day and age of unfettered eclecticism and prolific syncretism, people driven by their spirituality to search for means to transcend the material world have access to a bewildering volume of resources from myriad cultures and historical eras. There are countless trail heads for paths up the mountain to the one unifying peak: meditation (comprising a plethora meditation methods), ritual, herbs and potions (including outright drugs), alchemy, sex, dance... you name it! (And any eclectic/syncretic combination thereof!)

The practice of devoting oneself to dreams, and especially what evolved in the late 20th century under the rubric of "dreamwork", is undoubtedly a means of expanding consciousness beyond the material. Although it would be disputed by the most intransigent of academic scientists, it does not take too many months of dreamwork -- especially if one's work involves other people -- before one has experiences that lead one to suspect dreams are not solely dependent on the physical brain. There are things that happen in dreams that strongly suggest (some would go so far as to say PROVE) they are transpersonal, transdimensional, and involve communication between the self and other beings or states of mind beyond the physical body. These experiences are characterized by an unexpected transgression of the assumed laws of nature one has absorbed from the society we live in. For instance, time is demonstrated not to be what we thought when we see an event in a dream before we experience it in physical reality. Or space gets bent when we see something happening in a dream that is taking place somewhere else in the world. Or the nature of personal reality and individuality is challenged by perceiving knowledge that someone else knows, but has not told you.

So it is not hard to argue that increasing one's awareness of dreams is a path to breaking out of the material fetters our milieu tends to bind us with. But the bigger question is: HOW does one pursue dreams as a spiritual practice?

One conclusion I've come to is that the discipline of keeping the dream journal is the single most important aspect of dreamwork. It is the sine qua non (Latin for: without which there is not) of dreamwork. If you don't keep the journal, dreamwork can't happen. It's what practicing katas is to karate; playing scales is to musicianship; drawing sketch studies is to painting. If you don't write them down, you don't remember them, and if you don't remember them, there's no material to work with. Keeping the journal is already an act of "spiritual anarchy" in and of itself. You are declaring that you are willing to put time and energy into something which has no physical reality, and is unrelated to the usual mania of acquiring possessions that dominates the motivations of most people in the materialist world.

But there's another aspect to this. The act of keeping the journal is what rebuilds the bridge. This loss of awareness of noumena outside the realm of the ordinary conscious mind (the aforementioned falling of the veil) is why we are such strangers to our unconscious minds. It takes practice to rebuild that bridge. As most people know now: we dream every night, most people just don't remember it. With practice, we learn how to coax those memories into the bright light of day. And along with that ability to remember dreams comes an ability to pay attention to the subtler things that are always going on at various levels of one's mind.

The subconscious mind is the gate to greater reality. The word dream is a very broad catch-all term that encompasses all the experiences we have from the time we put our head on the pillow and close our eyes until we get out of bed the next morning. Once we pay attention to these experiences we realize that they are not all of the same nature. Some can be accurately described as psychic experiences, visions, astral projections, readings of the akashic records, and other types of internal experiences that have been documented in esoteric teachings, religious texts, and other literature, as far back as our records reach.

But paying attention to and recording dreams does not yet constitute a spiritual practice. To be able to call it that, one has to make a commitment to act on the experiences one records. You cross a line from intellectualizer, dabbler and dilettante to spiritual practitioner once you act with will and courage, and actually base an action you take in the physical waking world on something you experienced in a dream. And it does take courage at first. After all: this is the kind of thing the materialists call insanity! "You did it because of WHAT? Something you dreamed? Are you nuts?" There is something downright magical in allowing this knowledge, this energy from another dimension to manifest in your physical world. It's like lightning striking. And sometimes the effects can be just that dramatic, or they can be simply deeply gratifying. And that’s everything one could expect from a spiritual discipline.

The Two Gates

Szilvi and I have recently gone through a life-changing experience. I wrote the following essay in order to explain it as clearly as I could to my family.

Your mind turns its attention, at some point in your life, away from the portal through which souls enter this world and becomes increasingly aware of that other portal through which souls depart again. I'm not talking about the moment you first truly realize your mortality sometime in your twenties, when you understand that this life won't last forever, and that you will have to make some choices that narrow your possibilities for the rest of this life. No, I'm talking about the point at which you cannot deny that your years in this body have reached well beyond half of the statistical average lifespan for your gender, social stratum, and geographical location. It's just a fact: you are closer to the exit, than you are to the entrance. It doesn't mean you need to fret or panic, but it does mean that if you are wise, you should slowly begin to prepare for it.

This has nothing to do with being morbid, or having a death obsession. As a matter of fact, due to my adherence to a Rosicrucian philosophy, I avoid using the words death, and dying, because they tie you to a limited, materialistic conception of human experience. The truth is, we never die, only these bodies we inhabit while in this world. I may have misgivings about the physical pain involved, and I may have some fears about what it's like to get old and weak and forgetful, but I don't really fear death itself. I know I existed before this life, and I'm certain I'll continue to exist after this particular incarnation. That's not really an issue.

But there is the matter of gracefully living out the rest of this life. I've always been what they call a "late bloomer"; slower to mature than my peers.

So I find it hard to understand why I, at this stage of my life, am still intimately involved with the gate that lets souls in. This was the question raised inside me when, not more than a few weeks ago, we determined that Szilvi was pregnant. As usual, it caught us by surprise. I'm not going to go into the gritty details, but it's not as if we don't use contraception. We always have. Nonetheless, none of our children were planned; none of the four of them, and soon to be five (six, counting my child from my first marriage). Their conceptions have always beat the odds, which if calculated, were always several thousand-to-one. These souls really wanted to be born into this family, into this time, into this milieu. If you accept the idea of reincarnation, it follows that souls choose the time, place and circumstances of their birth. These children chose us. The corollary is that we, unconsciously wanted all these children. I love every last one of them with all my heart. I can't imagine what my life would be like without any one of them.

But the news was overwhelming. When we discovered that we would be having a third child (Abigail) and a fourth (Timothy), I somehow managed to get over the shock rather quickly and adopt a positive, accepting attitude to the new situation. But this time I felt overwhelmed. No! It can't be! We can't have a fifth child! Out of the question! It didn't take much discussion after the line turned blue on the home pregnancy test. There's no place in our lives for a fifth child. We would just have to abort it.

A grey gloom subtly and immediately engulfed Szilvi's and my lives. We tried (or at least I tried) to be cheerful and matter-of-fact about the situation. Szilvi accepted the reasoning I had stated that first evening. It goes like this:

It's one thing to be an irresponsible young person who thinks abortion is just an unpleasant way to fix the consequences of your reckless behavior, but it is quite another for a responsible married couple who are already bearing more than their share of society's burden by conscientiously raising several young children as well as they can. We are nothing if not responsible parents. We should not feel we have to justify ourselves. That was the reasoning I was going by.

Despite the fact that my job provides my family with wonderful medical insurance, naturally such a procedure isn't covered, so Szilvi began the laborious process of dealing with the state health-care bureaucracy. First she had to go to a doctor to confirm she was pregnant, which had to be verified with an ultrasound. The radiologist, unaware of our intentions, cheerfully announced she saw a nice healthy baby. Great. With those papers in handSzilvi had to go a counselling agency, which -- once they heard we had four children -- didn't do the hard-sell to try to make her change her mind. There was a three-day waiting period, after which you can go back and get a "permit" to schedule the procedure at a hospital. WhenSzilvi got the papers, the soonest she could get an appointment at the hospital was eight days after that. It would be a Friday. It would be an ambulatory procedure: go in in the morning, come home in the evening.

All this time, it played on our minds. It was agony waiting.

And now we had a week and a half to wait. How do you just go on living your life with an event like that pending?

At one point, I took a day off from work to go with Szilvi and Abigail to the Obuda Waldorf Kindergarten for the annual Mardi Gras party. Szilvi was helping out with food and decorating, and she couldn't do that while she was taking care of Timothy. In Hungary, Waldorf families tend to be bigger than average. I'm not sure why that is, perhaps it has to do with the fact that they tend to be above the median income level. There are several families in our children's classes with four or more children. So as I made small talk and ate at the party, I kept watching the kids, and the parents, and I found myself entertaining the thought: what's the difference between four and five children? Can it be that much harder? They say the big jump is between two and three. We could do it, couldn't we? Of course, I didn't share any of these thoughts withSzilvi.

When we got home, Szilvi and I got into an argument. I accused her of making me feel guilty by making long faces and moping around the house. It came out in the conversation that she thought we'd made our decision too hastily. She thought we should at least talk about it and consider all the possibilities. I didn't want to consider! I'd decided. I was pissed off. We discussed the rightness/wrongness of abortion. I said I didn't have the same scruples that Christians do, since I was convinced of the truth of certain mystical doctrines that say the soul does not inhabit the body until the body takes its first breath. Until then, it's the power of the mother's soul that animates the body.Szilvi was not so convinced of that.

At some point in the conversation Szilvi mentioned a dream she'd had before she knew she was pregnant. In the dream Abigail had been saved from drowning, and when an ambulance arrived, they wanted to take her away for observation, butSzilvi vehemently resisted them taking Abigail away from her. Szilvi felt/suspected this dream had been a warning not to let "them" take away her daughter; her unborn daughter. After we'd both calmed down I proposed that we use our inner resources to help us get clarity. We would incubate dreams to address our problem, and see what they told us. We gave ourselves five days to make the "final" decision.

The dreams obviously addressed our question, but the answers were riddles. We did dreamwork together several times that week, and came to the conclusion (well, I guess I came to the conclusion) that there was nothing in the dreams screaming out not to go through with this. At this point we still had several days to go before the Friday morning appointment. The mood got darker, despite my efforts to take it matter-of-factly. I began spending lots of time during the day staring out my window at the office, and often closed my eyes in silent prayer, asking The Master Within to bring me peace and balance.Szilvi got more silent and brooding with each day. The fact that we weren't telling the children what was going on made things even worse. How do you explain something like this to a child? Especially your own children! You can just imagine them having nightmares about what would have happened had you decided to abort them. No. We weren't telling the children.

For the day of the procedure, I arranged to to take vacation time so I could take Abigail to and from kindergarten and spend the day with Timothy. I don't even recall what we were going to tell the children. Something vague about having to see the doctor. I took the Thursday off as well, to be emotionally supportive ofSzilvi.

I have to explain that in Hungary there is a particular means of paying money that goes into public funds. It's called a cheque, but it doesn't work like a check in Western countries. You pay it in the post office, and you get a stub that shows you've paid that amount to a certain beneficiary. With this, you can prove to an authority that you've paid. This was how the fee for the procedure had to be paid, which meant someone had to pay the fee at the post office at least the day before, which meant Thursday, soSzilvi could present the stub on Friday.

Thursday was a black day, no matter how cheerful I tried to be. Szilvi was listless. I told her she had to maintain her routines if she didn't want to go crazy. She did, reluctantly. Finally, it came time for me to take a walk to the post office. I was getting ready to leave whenSzilvi made the remark, "Could you arrange for a small tornado to rip that cheque out of your hands, and take it off to Utah." I was stunned. What did that remark mean? I thought we'd made up our minds. Well,Szilvi said, she still wasn't quite sure. She knew I was sure. I started getting really agitated. I guess I was even beginning to yell. What the hell kind of thing was that to say just as I'm going out the door! You don't decide one thing and feel inside you should do something else! Get it together! What are we doing here? I thought we had this decided days ago!

And then I yelled: Go get your dream journal! Let's get this matter clear! She looked at me incredulously. What good would that do, she asked. We've been over it all already, haven't we?

"Go get your dream journal! I'm not going to do something just because we're drifting into it. I want to be sure."

So we went over the dreams, hers and mine, one by one. I was pacing up and down the kitchen floor like a cat in a zoo cage, talking my thoughts out loud, going over every image, event and configuration in those dreams; drawing associations, speculating on the messages. Somehow, I saw those dreams differently in that moment than I'd seen them all along. I was becoming convinced the message was: we were capable of raising another child.

I confessed to Szilvi what had been going through my head all those days I'd stared out the window of my office. It had to do with faith. Faith in myself. Faith in providence. Faith in the powers I claim to know all human beings possess. When we found out thatSzilvi was pregnant with Timothy, it took a huge leap of faith to go through with it. But we did. We moved heaven and earth to find the resources and make the arrangements to get a bigger apartment suitable for our family. But we did it. It wasn't easy, but through the power of visualization, creative effort, and shear will power, we moved into a new apartment weeks before Timothy was born. BothSzilvi and I were somewhat amazed at what we were capable of doing when we had to do it.

And now we had learned there was another baby coming.

As we went over the dreams, there were a few that disturbed me. One in particular seemed to have a message for me. In this dream,Szilvi and I are visiting a museum that's been made out of the home of an Israeli man killed in a suicide bombing. The house has been preserved the way it was when he was alive. The upstairs of the house was reminiscent of the attic study I had during my last year as an undergraduate. There were all kinds of projects lying around, and things he collected: evidence of an intellectually active and curious human being. There was a low bed on the floor (as there had been in my study) consisting of a just a mattress or perhaps box springs as well, but certainly no frame. On the bed was a strange wooden tray, about the length of my torso, roughly carved by hand. It was like a giant trencher or meat serving dish. I knew this was there because the man had suffered from a bad back. There was a blanket on the bed, carelessly tossed aside, making it look like someone had just been taking a nap. I decided to try the tray out, and lay down on it. I could tell that it must have been comfortable for the man, but it was just too small and confining for me.

It struck me that this man was my former self: a man with the time and leisure for numerous intellectual pursuits. And he had a bad back. He didn't have a strong enough spine! And now, the comfortable way he compensated for his weak spine was too small and confining for me!

This and other dreams convinced me that I'd been trying to dodge my responsibility. I had no excuse thinking I didn't have the power to handle the situation.

I got the cheque, and held it in my hand. I told Szilvi that I'd never accuse her of saddling me with too many children if she promised never to complain that they were too much of a burden. She readily agreed. I took a dinner plate off the shelf, and a box of matches.

"Are you certain this is what you want to do?"

Szilvi, looking at me in wide-eyed disbelief, nodded. I struck a match and touched the flame to the corner of the thick paper of the cheque, and the dry material caught quickly. Very soon, it was a tiny black object on the plate.

I knew we'd done the right thing, because for the first time in weeks, Szilvi and I were happy that afternoon. We smiled and laughed, and started talking about having a baby. God knows we'd been through this often enough already. We have lots of practice. I recall that when Timothy was born, the very next daySzilvi and I were in the familiar routine of feeding, changing, naps, and carrying him around. It becomes second nature. And as for the material and financial matters involved in having one more child; we just have to believe in our power to make our way in the world.

Indeed, I am closer to the door from which souls leave this world than to the one where they enter, but that's no reason for me not to look back and watch as the miracle of birth continues to happen, as it always has, and always will.